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“For a very long time, Michi got her way,” says someone close to the situation, “until very recently people started pushing back in a big way, and I think that was part of her leaving.” She could be a diva, says this source, “but in a way I fucking admire it.The world would be a sorrier place without divas.” Biographer and critic James Atlas remembers Kakutani not as a diva but as a 23-year-old Yale graduate in a hurry, “chain-smoking unfiltered Camels and pounding away on her electric typewriter.” Both writers were part of a talented micro-generation who passed through magazine around the late ’70s and eventually found powerful perches in journalism (Walter Isaacson, Frank Rich, Maureen Dowd, Graydon Carter). She could write a cover story in two hours.” Atlas hasn’t seen her in 30 years, except in print. “But in those days she was very sweet and vulnerable.It’s usually overreaching to call any critic’s departure the end of an era, and Kakutani’s writing career isn’t over at all: This week she signed a multiple-book deal with Crown’s Tim Duggan Books.The first book, published next year, will be a controversial political book of her own, a cultural history of “alternative facts” titled . As chief book critic, Kakutani was inimitable and irreplaceable.

In that decade she was social — befriending Paul Simon and Linda Ronstadt — and iconoclastic by Grey Lady standards.

“I used to call them her book reports,” says Galassi.

“They were quite formulaic and they weren’t always subtle, but now that she’s going I think we’re going to miss her definiteness.” Whatever you thought of her style, she was regarded as a straight shooter with few axes to grind, gifted with what Atlas calls “an undeflectable will to truth.” (Who else could unreservedly praise a novel — Jonathan Franzen’s colleagues compliment her in terms that describe a great and serious journalist — incorruptible, direct, unerring, and fast.

Each of the three daily critics was generally reduced to one review per week (though asked to supplement with essays).

Important books that used to be reviewed in both the daily and the Lead critics are going out of style across the paper; there are now “co-chief critics” in art, theater, and film, and after Kakutani’s departure, no book critic will have the right of first refusal.

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